We should bar every critic from calling 1917 a “cinematic achievement”, a “technical achievement”, or any derivation of the two. It’s an overused phrase in film discourse as it is, but 1917 has only made…
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We should bar every critic from calling 1917 a “cinematic achievement”, a “technical achievement”, or any derivation of the two. It’s an overused phrase in film discourse as it is, but 1917 has only made…