Matthew Lillard

John Waters’ films are all about transgression. Like his contemporary David Lynch, the underground cinema icon seeks to expose the rot at the heart of the idyllic world of post-World War II America. But where …

The ‘90s were wild. Time was, you could assemble a gaggle of fresh-faced young actors, give them relatively little to do except be incredibly attractive, add in a rad soundtrack, maybe some celeb cameos — and …