John Waters’ films are all about transgression. Like his contemporary David Lynch, the underground cinema icon seeks to expose the rot at the heart of the idyllic world of post-World War II America. But where …
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Matthew Lillard
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The ‘90s were wild. Time was, you could assemble a gaggle of fresh-faced young actors, give them relatively little to do except be incredibly attractive, add in a rad soundtrack, maybe some celeb cameos — and …