Teyonah Parris

1992’s Candyman is considered a classic of the slasher genre — mythologically inventive, steeped in relevant racial themes, and far more ambitious than contemporary slasher films; which at the time were so verging on self-parody…

After my first experience at Sundance last year, I arrived this year at the festival cognizant of the hyperbolic reactions that come with the environment. (Or, at the very least, I did my best. I’m…