Pablo Larraín

An odd year, 2021. We returned to theaters, kinda. Some studios tried baiting people back with mixed results, some gave the option to stay safe while screening their new releases. As for the films themselves, …

Pablo Larraín begins Ema with an indelible image: fire engulfs a traffic light in the middle of a street, slowly making its way down from the red light to the green light with the titular …