It brings me no joy to report that an indie comedy film evidently made in earnest did not resonate or connect with me, but Parker Seaman and Devin Das’s debut feature, Wes Schlagenhauf Is Dying, is…
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Mark Duplass
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In an era where we’re overwhelmed with features made during quarantine, it’s hard to find a film that strays from the rest and is actually worthwhile watching. While Language Lessons doesn’t necessarily go above and…
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Retrospectives
‘Obvious Child’ and ‘Landline’: Why Gillian Robespierre’s Films Should Be Your New Obsession
by Bethany Lolaby Bethany LolaSix months ago, Gillian Robespierre wasn’t on my radar, but flash forward to now, I’ve watched her entire small yet unbelievably brilliant filmography, including both limited series she has worked on (A Teacher and Mrs. Fletcher)…
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I grew up on Everybody Loves Raymond, which really cements my view of Ray Romano being one of the funniest men on television. He comes across as real and authentic, which heightens the credibility of…