Slow Cinema

Driving can be a profound experience. It is difficult to articulate the feeling of what it’s like to ponder a great many things while you drive in solitude, or that quiet mutual moment of bonding…

To say that a two-and-a-half-hour-long film is on the shorter side of a director’s filmography may sound like a deeply confused claim, but for Filipino auteur Lav Diaz — whose works are less like films…

Few snippets of on-screen text in modern foreign cinema have been as intriguing as the opening blurb of Tsai Ming-liang’s latest film, Days — “This film is intentionally unsubtitled.” — not just because it points to a…