In last year’s top 10, I remarked that we’d eventually look back on 2021 as a significant transition year in the history of cinema. Well, allow me to expand (and slightly hedge) on that proclamation:…
Jordan Peele
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My favorite films this year all stuck out to me for vastly different reasons. In a year in which we saw theatrical releases begin to stick to their slots rather than be stuck in a…
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If you were to ask me for a list of the most exciting directors working today, Jordan Peele would be very high on my list, if not at the very top. In 2017, Peele burst…
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On this week’s episode of the MovieBabble Podcast I am joined by Nick, Collin, and Jonathan as we get excited for the year to come and all things film in 2022. We offer up our…
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Thirty years ago we were treated to Wes Craven’s deliriously entertaining socially-conscious horror roller coaster, The People Under the Stairs. When we talk about Craven’s oeuvre, the usual suspects are mentioned: the exploitation classic, The…
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1992’s Candyman is considered a classic of the slasher genre — mythologically inventive, steeped in relevant racial themes, and far more ambitious than contemporary slasher films; which at the time were so verging on self-parody…
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COVID-19 fundamentally changed how we watched films in 2020. Many of our favorite movies of the year opted for streaming and on-demand releases, and a good portion of cinemas across the globe closed. Much of this…
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Upon finishing Antebellum, I needed about half an hour to gather my thoughts. I then needed another two hours when I saw the overall critics and audience consensus on Antebellum was definitively disappointed. Did I…
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When I saw Relic at the Sundance Premiere in January (it feels like an eternity ago), I was floored. Catching up with the film before sitting down to pen this, soon to be, overwhelmingly positive review,…
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How high can Dumbo fly? To quote another Disney movie, it’s more “falling with style” than it is flying. Dumbo takes the weekend, but with a much narrower victory than its budget warrants as Us continues…
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Let me set the scene for you: It is a Thursday night, the rain pours all around us, my colleague and I are trudging through the rain and gloom to head to the nearby cinema…
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Jordan Peele has cemented himself as an elite force in Hollywood with Us. The spiritual follow-up to 2017’s Get Out far surpasses early estimates, eclipsing the $70 million mark at the domestic box office. Captain…
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Farewell 2018 and hello 2019! With a new year comes more movies to enjoy, laugh or cry to, make fun of or throw a tantrum over. But today that’s all irrelevant as we focus on…
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In 2017, Get Out took the box office by storm with its unique blend of horror and subtle social commentary. Spike Lee takes a turn at bat against racism in 2018 with BlackKklansman. If Get Out…
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