1960s

Women Is Losers makes itself loud and clear in its opening scene. Rushing out her front door with her baby in tow, Celina (Lorenza Izzo) is in a shouting match with her cheating husband Mateo (Bryan…

After her introduction nearly halfway into the film, the nanny in One Hundred and One Dalmatians is likened to a dog by our narrator and protagonist Pongo. Usually a denigrating term — calling someone a dog…

After a decade of revolutionizing cinema in France, Agnès Varda was finally sent to Hollywood with the promise that she would be able to further cement herself as an international sensation. But, as if it…

In 1966, Agnès Varda finally revealed herself to be human after all. Despite her latest film being populated by big names, it tanked financially. Even more distressing, the critics didn’t take to the film either;…

My favorite part of the Halloween season is watching spooky films for the very first time. Whether it’s watching classic horror movies I should have seen a long time ago or unearthing a few cult fascinations, every…

By the time Agnès Varda was filming her second feature in the summer of 1961, the French New Wave was in full swing. Godard, Truffaut, Resnais, Rohmer, and more had all released their directorial debuts…

Quentin Tarantino continues his love for film and history (and film history) with Once Upon a Time in Hollywood, a sprawling story covering an actor and his stuntman and their declining careers in the industry.…