When you envision the legacy of jazz pianist Thelonious Monk, you’re probably familiar with his distinct improvisation style — his winding melodies, harmonies, techniques, and dissonances that have since gone down as hallmarks in jazz…
New York Film Festival
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DocumentaryReviews
New York Film Festival 2022 Review: ‘Mutzenbacher’
by James Y. Leeby James Y. LeeAn expansive, white-walled studio. A camera crew helmed by director Ruth Beckermann. A lavish, pink-red sofa that’s previously been used for erotic films. And 100 men, aged from 16 all the way to 99, who…
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DramaReviews
New York Film Festival 2022 Review: ‘The Novelist’s Film’
by James Y. Leeby James Y. LeeThe legacy of South Korean auteur Hong Sang-soo seems largely separated from the stylized and dramatized sensibilities of his Korean New Wave contemporaries — the more minimalistic and theatrically conversational mise-en-scéne of his films seems…
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While it’s easy to look at the repertoire of films about COVID and deem them redundant, oftentimes incredibly lazy ways to artistically reflect a universal experience, perhaps the most distinctive among them have been the…
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Between 1976 and 1980, young Manhattan photographer David Godlis documented the nightly goings-on at the Bowery’s legendary CBGB, “the undisputed birthplace of punk rock,” with a vividly distinctive style of night photography. Lewie and Noah…
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To discuss Pedro Almodóvar is to acknowledge not just the transgressive streak of his early filmography, but also the post-Julieta change of pace that the Spanish auteur has undergone with his latest few works. With…
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Manitoban filmmaker Rhayne Vermette’s Ste. Anne is a fascinating directorial debut — a loosely constructed tapestry of hypnotic sounds and grainy cinematography, and an enigmatic 80-minute experience that operates in pure abstraction. Unfolding a series…
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DocumentaryReviews
New York Film Festival 2021 Review: ‘Returning to Reims’
by James Y. Leeby James Y. LeeCapturing the spirit and history of the French working class over the past 70 years is a gargantuan task of historical retelling and curation — especially if it’s through an 80-minute documentary strung together solely…
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Daniela (Daniela Zahlner) can’t sleep lately. After spending some time traveling in New York and returning to Berlin, she’s slowly come to the realization that her continued insomnia isn’t just from her jet lag anymore,…
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It’s only fitting that New York City‘s biggest film festival has chosen to premiere Cohen Film Collection’s new 4K restoration of Joan Micklin Silver’s Hester Street — a film so obviously tied to the city’s legacy…
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ComedyReviews
Enter the Orbit of the Great Michelle Pfeiffer in ‘French Exit’
by Jack Edgarby Jack EdgarWhat a treat it must be to be Lucas Hedges. By twenty-four, he’s already established himself as one of the finer actors of his generation and has had the chance to work for the best…