Grief

It’s the end of the road. Throughout the previous seven episodes, we’ve dealt with evil paintings, witches, extraterrestrials, and lots of rats. What’s this final episode going to treat us with? The answer: birds. No,…

The absurdly long-overdue second installment of Films from the Peninsula has finally arrived! In keeping with this column’s aim of recommending classics in Korean film history (the first of which was Lee Chang-dong’s Secret Sunshine), I’ve chosen…

Driving can be a profound experience. It is difficult to articulate the feeling of what it’s like to ponder a great many things while you drive in solitude, or that quiet mutual moment of bonding…

There’s a line that creators of topical art must keep in mind as it’s being crafted — so easy is it to become melodramatic, “preachy”, or unrealistic. The slightest misstep can take a viewer out…

Céline Sciamma has once again made one of the best films of the year with her latest project and follow-up to the brilliant Portrait of a Lady on Fire, Petite Maman. The film follows Nelly (Joséphine Sanz),…

The Night House opens with Beth (Rebecca Hall) returning home after her husband’s funeral. She lives inside a luxurious lake house, itself designed by her late husband Owen (Evan Jonigkeit). Owen’s death was self-inflicted. It…

Intro It’s no secret that Korean cinema is having a bit of a moment these days — whether it be due to the wild success of Bong Joon-ho’s Parasite, the recent love for Lee Isaac Chung’s Minari,…

As it happens, human history is so speckled by atrocities, so littered with tragedies and the bodies left behind from them, that We-As-A-Collective are bound to forget more than we memorialize. It’s simply the law…

A man sits on a bench, wrapped in a coat he’s owned for years. He rests his feet at the head of Jaffa Street in Jerusalem. A tour guide comes along, decked to the nines…

Pieces of a Woman is Kornél Mundruczó’s first full feature in English. The acclaimed Hungarian director teamed up with big names such as Vanessa’s Kirby, Shia LaBeouf, and Ellen Burstyn, and the movie chronicles the consequences of…

Sir Anthony Hopkins is a legend. The majesty of his onscreen presence is undeniable. With his voice and deep eyes, he automatically commands intellectual respect; unsurprisingly, he hasn’t been, or at least not to my…

The horror genre is a good starting point for an aspiring filmmaker. From a financial standpoint, you will likely attract more investors if your low-budget film happens to be a horror film. Most of them…

Warning: This article assumes you have seen the film If anything happens I love you. Please, go watch it on Netflix before reading. It’s only 12 minutes. 2020 has proven to be an incredible year…

In 2007, filmmaker Kirsten Johnson lost her mother, Catherine (nicknamed Katie Jo), to Alzheimer’s. Johnson was struck by how little footage she had shot of her mother, despite being a cinematographer for many years. That…

Hereditary was a major hit for A24 last summer, quickly becoming one of the indie distributor’s most successful monetary investments off of the strength of some magnetic performances, a string of horrendously morbid set pieces,…

Adaptations that emerge from Stephen King source material are either a hit or a miss. We had IT in 2017 that succeeded in making us fear clowns for the rest of our lives, and The Green…