Sundance 2022

Noa (Daisy Edgar-Jones) is trapped in the mundane loop of online dating. Any modern woman knows the procedure, the hours that are wasted on a guy who misrepresents himself and the occasional creep. The inane…

When You Finish Saving the World Is it the least shocking film development ever that Jesse Eisenberg, one of our most anxious, idiosyncratic performers, centered his directorial debut around two highly anxious, idiosyncratic characters? If…

The reported heinous acts committed by the Russian government sound like something straight out of a 1970s political thriller. And that’s probably exactly how they like it. “If you want to kill someone,” Alexei Navalny…

For a brief moment, Sundance 2022 looked like it was going to function as a return to in-person festival moviegoing for the entire industry. Naturally, nature had other plans in store, so the entire festival…

If you’ve watched an indie film or two in your day, odds are you’ve stumbled upon a movie about a white guy who just can’t figure things out. They have no idea what to do…

Sara Dosa’s Fire of Love is truly a sensory overload, and not just because of its staggering archival footage of gorgeous volcanoes. On top of that, it’s edited like a French New Wave film to the tune…

After Yang has one of my favorite recent open credits sequences: after a few muted back-and-forths, Jake (Colin Farrell), his wife Kyra (Jodie Turner-Smith), his daughter Mika (Malea Emma Tjandrawidjaja), and his android Yang (Justin…

Adapted from author Annie Ernaux’s quasi-memoir of the same title, and having instantly propelled itself into a modern canon of films about the stark realities of abortion — among them being Cristian Mungiu’s 4 Months, 3…

Rebecca Hall has been on a tear as of late, starring in one severely disturbing film after the next, while also taking time to direct a very impressive debut feature in Passing (which continues to…

If you’ve ever wondered what it would look like if Terrence Malick in The-Tree-of-Life-mode directed a horror film, it would probably look something like Goran Stolevski’s staggering feature debut, You Won’t Be Alone. My first bold statement…

Director Carey Williams has an exceptionally powerful film on his hands with Emergency, the first great film I’ve seen at the 2022 Sundance Film Festival. Based on his short film (that also premiered at Sundance)…