Manitoban filmmaker Rhayne Vermette’s Ste. Anne is a fascinating directorial debut — a loosely constructed tapestry of hypnotic sounds and grainy cinematography, and an enigmatic 80-minute experience that operates in pure abstraction. Unfolding a series …
Reviews
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DocumentaryReviews
New York Film Festival 2021 Review: ‘Returning to Reims’
by James Y. Leeby James Y. LeeCapturing the spirit and history of the French working class over the past 70 years is a gargantuan task of historical retelling and curation — especially if it’s through an 80-minute documentary strung together solely …
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Daniela (Daniela Zahlner) can’t sleep lately. After spending some time traveling in New York and returning to Berlin, she’s slowly come to the realization that her continued insomnia isn’t just from her jet lag anymore, …
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Two and a Half Men is an abominable sitcom and I’m ashamed to admit that in my younger, and far more vulnerable years, I did watch an episode or two. If there was one good …
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Wife of a Spy won the Silver Bear for Best Director at last year’s Venice Film Festival. I had heard of director and co-writer Kiyoshi Kurosawa (not related to the late great master of Japanese …
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Can the literary art form still survive in this hyperactive, Twitter-operating, modern age? Bookworms venturing through desolated libraries and soon-to-be bankrupt bookstores may find themselves out of time, yearning for a time where a 400-page …
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DramaReviews
Toronto International Film Festival 2021 Review: ‘Ahed’s Knee’
by Sean Coatesby Sean CoatesNadav Lapid’s Synonyms caused quite a stir when it unexpectedly took out the Golden Bear at the Berlin Film Festival in 2019. The film loosely based on Lapid’s own life about an Israeli man who flees …
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ComedyReviews
Toronto International Film Festival 2021 Review: ‘Dug Dug’
by Sean Coatesby Sean CoatesUnder the bright glistening haze of blue and pink lights, Ritwek Pareek’s vibrant debut feature opens on 40-something drunkard Thakur Lal. His internal monologue spouts vague philosophical musings before mounting his motorcycle and going for …
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ReviewsThriller
‘The Gateway’: Shea Whigham and Bruce Dern Make This Lowly Neo-Noir Thriller Worth Your Time
I’ll be honest, I only watched this film to see the underutilized Shea Whigham in a lead role. I’ve been a big fan of him ever since his supporting turn in the glorious HBO crime …
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ReviewsScience Fiction
Toronto International Film Festival 2021 Review: ‘Encounter’
by Sean Coatesby Sean CoatesAfter a number of standout supporting roles over the last half a decade, Riz Ahmed‘s wiry unpredictability and genuine pathos he injects into his performances has seen him evolve into a leading man with an …
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FantasyReviews
Toronto International Film Festival 2021 Review: ‘Kicking Blood’
by Sean Coatesby Sean CoatesCinema has given us many incarnations and interpretations of the vampire mythos since F.W Murnau’s Nosferatu almost a century ago. We’ve seen them portrayed as everything from baroque aristocrats, mindless parasitic monsters, mysterious outsiders in …
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Céline Sciamma has once again made one of the best films of the year with her latest project and follow-up to the brilliant Portrait of a Lady on Fire, Petite Maman. The film follows Nelly (Joséphine Sanz), …
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1992’s Candyman is considered a classic of the slasher genre — mythologically inventive, steeped in relevant racial themes, and far more ambitious than contemporary slasher films; which at the time were so verging on self-parody …
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ReviewsShorts
‘The Year of the Everlasting Storm’ Captures the Human Toll of the Pandemic from All Angles
by Nick Kushby Nick KushIn a shocking twist, an anthology movie that has several shorts from some of our best international filmmakers is really good. The Year of the Everlasting Storm is yet another COVID-19-centered production, except it’s one …
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A common complaint regarding movies based on plays is that they feel like exactly that: a play made into a movie. Detractors often cite the transition from stage to screen as being too noticeable, remarking …
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ReviewsRomance
‘Dating & New York’ Is the Best Romantic Comedy of the Year
by Aubrey McKayby Aubrey McKayThe romantic comedy is always interesting. As one of the most popular and referenced genres in film, it feels like every avenue has been explored and subverted. Ultimately, this led to a lull in good …
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The slang term ‘Karen’ represents the racist, entitled white women of suburbia. A creature from the lagoon of (usually) far-right misinformation. Stereotypically, you can see a ‘Karen’ donning a bob cut with blonde highlights. As …
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DocumentaryReviews
‘Lily Topples The World’: Welcome to the Wonderful World of Domino Art
by Brian Connorby Brian ConnorThe world of online fame is a strange one. There are people out there with millions of fans, real fans that are actively subscribed to the output of artists and sometimes literally invested in their …
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Agnes slides neatly into the subgenre of ‘nun horror’ with the likes of, you guessed it, The Nun. However, Agnes prides itself on building tension rather than being full of jump scares. When you’re placed …
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The Night House opens with Beth (Rebecca Hall) returning home after her husband’s funeral. She lives inside a luxurious lake house, itself designed by her late husband Owen (Evan Jonigkeit). Owen’s death was self-inflicted. It …
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So many pandemic-set films since the beginning of COVID-19 are about the immediacy of it. The near-instantaneous feeling that everything has changed without the time to possibly reckon with what’s happened. Kelsey Egan’s Glasshouse takes …
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HorrorReviews
Fantasia Film Festival 2021 Review: ‘The Last Thing Mary Saw’
by Bethany Lolaby Bethany LolaThe Last Thing Mary Saw is a 19th-century folk story, centered around sin and suspicion. We are introduced to Mary (Stefanie Scott) as she is blindfolded in a dark, candle-lit room. This is at the …
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Almost every conceivable trigger warning is in effect for Rob Jabbaz’s pandemic horror movie, The Sadness. Saying the film isn’t afraid to “go there” is probably the biggest understatement of Fantasia 2021 — it’s undoubtedly the …
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Matthew Gray Gubler is a modern-day icon in the eyes of many. King Knight has been long-awaited by both fans of his and director Richard Bates Jr. It’s slightly dark, yet reassuringly humorous. It’s everything …
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The 2016 horror/thriller Don’t Breathe was a surprise success that not only did well at the box office, but also proved to be a critical hit. The film followed a group of petty thieves who attempt …
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A mysterious social experiment brings a group of eccentric strangers together to compete for a prize. It’s the synopsis for many low-budget thrillers and dark comedies. And somehow, Stanleyville feels almost entirely divorced from the subgenre. You’ve …
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DramaReviews
Melbourne International Film Festival 2021 Review: ‘La Verónica’
by Nick Kushby Nick KushDespite how much social media is seemingly at the center of our lives, there are still only precious few good movies about the subject. What is it that makes it so hard to capture? Is …
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ReviewsScience Fiction
Fantasia Film Festival 2021 Review: ‘Tiong Bahru Social Club’
by Bethany Lolaby Bethany LolaThrough extremely stylized Art Deco sets, and cinematography comparable to Wes Anderson’s The Grand Budapest Hotel, Tiong Bahru Social Club is an extraordinary watch. Straight from Singapore’s own Bee Thiam Tan, we are thrown into a …
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DocumentaryReviews
Melbourne International Film Festival 2021 Review: ‘Hopper/Welles’
by Sean Coatesby Sean CoatesIt was November of 1970. Dennis Hopper, hot off the success of his counterculture masterpiece Easy Rider and deep into post-production of his second feature, The Last Movie travels from Taos, New Mexico to Los Angeles …
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DramaReviews
‘Respect’: A Lackluster Look at the Life of the Queen of Soul
by Blake Isonby Blake IsonBiopics have long been a crowd favorite. From the 1985 Best Picture winner Amadeus to the modern classic The Social Network, audiences are enamored by the idea of watching a biographical tale unfold on the …